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Jimmy

Jimmy
Read about my published work, my ideas about music and other interests. Links to Literary Resources.
The NSPCA believes that an animal’s welfare should be considered in terms of the five freedoms
The NSPCA does not support the chaining of elephants and is opposed to any handling methods which may cause pain and suffering. In terms of the Animals Protection Act, Section 2(1)(b) – any person who
“confines, chains, tethers or secures any animal unnecessarily or under such condition or in such a manner or position as to cause that animal unnecessary suffering or in any place which affords inadequate space, ventilation, light, protection or shelter from heat, cold or weather;”
Mormukut and Manoj Kedia from Giridih performed in Bangalore yesterday. The sarod and sitar duo started off very beautifully. They played Raag Jhinjhoti and did a very fine Alaap Jor and Jhala. The Teen Taal
compositions were good as well, but I was left vaguely dissatisfied by the usual convergence to a crescendo where the nuances of Jhinjhoti were sacrificed in the interests of ‘performing’. Pilu was nice but a bit shorter than I would have liked. All in all, a pleasant performance.
This was followed by a remarkable concert by Dhondutai Kulkarni. Your typical little old lady, but with a great voice and complete mastery. Simply loved her wonderful Pulashree, with the beautiful use of Shuddha Madhyam and a rising Komal Rishabh. She sang Desh, Rageshree and Shahana. It was a thoroughly enjoyable evening.
Tabla accompaniment in both cases was pleasant.
And now I am listening to Amritvarshini by the late Pandit Jitendra Abhisheki.
A weekend well-spent!
(Images borrowed from the net)
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29 Nov 2008, 2134 hrs IST, Others do notice Incompetence:
Walter Andersen, currently associate director of the South Asia Program at Johns Hopkins University's School of Advanced International Studies, told rediff.com, "I am surprised that after several terrorist incidents, the government hasn't moved faster to get something much more effectively in place."
"You have a totally incompetent home minister (Shivraj Patil), and why he isn't removed is beyond me," he said, "He really doesn't know how to get the bureaucracy organised to have some sort of coordinated planning."

It had been quite some time since I visited UP. I went to Allahabad and enjoyed Sangam, the confluence of Yamuna and Ganga. An expensive boat ride takes you from the banks of the Yamuna to the point of confluence, where one takes a nice dip and then returns. Religious ardour is everywhere and the setting is quite nice. I also brought home a Guava sapling – Allahabad is famous for its Guavas – and I also visited the temple of the reclining Hanuman, which comes with its own interesting myth, about how he lay down to control Ganga and how she washes him once a year. Such stories are actually quite beautiful.
Then on to Pune, which I had not visited since 2002. Not too much to say except that it seemed a cleaner city (than Bangalore) and the roads were better. Now I’m back and quite exhausted.
On the subject of Literature, the only note of disappointment is that I discovered that the habit of reading anything sensible has been discarded a long time ago. No one cares.
Someone I know had this written about him...it was quite amusing that he became the subject of some literary examination...
http://openspaceindia.org/essays_52.html
Almost a year ago, on another network called Shakespeare and Company, a strange person made his debut: Akira Yamashita. Akira-san claimed to be a Japanese Koto player, with an interest in writing poetry. He was received warmly by the network. A few weeks later, however, he put up this startling post:
Some of you may recall that several weeks ago, I fell a victim to Fugo fish poisoning. I was hospitalized in a Sapporo hospital and fed activated charcoal as part of the treatment. Time stood still.
It was a period of intense soul searching. I had visions. I spoke to God and several doctors and nurses. As a side effect of the poisoning, I lost the ability to converse in Japanese and now speak English with a pronounced Angolan accent. Not being able to speak Japanese in Japan despite being Japanese has certain disadvantages and I am now looking to emigrate. In any case, I discarded Koto playing and now play the Sitar, which affords a deep sense of meditative pleasure. I find I cannot tolerate Japanese food either and prefer the more charming Idli and Dosa from South India, despite having never visited India. And I never want to write a haiku again. Never. Ever.
The strange case of Akira Yamashita – a persona that continues to grow, change and became an independent narrative – is one way of dealing with the problem of personality in an impersonal space. With self-deprecation and humour, Akira-san constantly subverts and at the same time, draws attention to some aspects of our behaviour online. In this post, he has raised the issue of identity: What kind of a Japanese man wakes up to find he speaks English with an Angolan accent and wants to emigrate to south India? Which part of this narrative is real and what does that word mean anyway?
Another member of the same network, David Israel, had this to say when it became apparent that Akira-san was a fiction:
Is this, rather, a question of fictional persona-construction as lying close to the imagination-generating heart of his poetical creativity? Or if one is to essay the writing of haiku per se, does this fairly necessitate constructing a Japanese persona who may then do the writing? -- if one is to write from the vantage of a Black American, does this call for the formulation of a personality who can justify such a literary exertion?
Is [this person] radically different from any significant poet who, perforce, constructs a "self who can speak" in the very process of speaking?
Akira Yamashita is a story that magically transforms our ideas of ourselves in an online space. We are forced to question the stories we tell about ourselves, our identities as writers and our identities as speakers in the stories we tell. He is a mirror held up to us; if we are conscious of absurdity in his posturing, it is a timely reminder to us to examine our motivations and our stances online.
Bridge to the sea
Beachside shack

Mendrem Beach
Scooter ride preparation
Cabo de Rama
Bay inlet Cabo de Rama
Ferry to Cavalesimo
16th century old church
Church at Old Goa
Colva Beach