Read about my published work, my ideas about music and other interests. Links to Literary Resources.
Tuesday, December 11, 2012
Patagonian Musings
Patagonian Musings
---------------------------
Oblivious to caustic lust
A poignant feral tinge in his vacillations
Go! Tell them that Bulgaria was lost
---------------------------
Oblivious to caustic lust
A poignant feral tinge in his vacillations
Go! Tell them that Bulgaria was lost
To a Samurai’s football fetish
Hold the Danube’s depths close to your heart
Dew drops of hatred, a cordial mist
Goodbye.
Yes, goodbye.
Hold the Danube’s depths close to your heart
Dew drops of hatred, a cordial mist
Goodbye.
Yes, goodbye.
Fijian Recipes from Hell
Fijian Recipes from Hell
------------------------------
I asked him, the man with the Cubic hat
How do you dance at midnight in your pink nightwear?
He looked at me closely
I need a dented BMW to answer
But take a look at the menu
Phosphorescent omelets from the eggs of disgruntled illiterate hens from Vladivostok
Pina Coladas from unhappy lonely pineapples from Samoa
(which was then under the occupation of the Germans,
So the breezy mauve rumours go)
Burnt Rice pudding with a touch of failed peppers
A Message from The Sous Chef at the Restaurant of Desires
Monday, December 10, 2012
Absurd Poetry
I can write really bad stuff. Like this
blue leaves of nakedness fall
into dark pools of happiness
The Delhi heat and the dew in his garden.
Is it you?
Or the brown dog in yesterday's restaurant?
let the Alsatian of your sleeping green happiness
bite the ankles of my memories
blue leaves of nakedness fall
into dark pools of happiness
The Delhi heat and the dew in his garden.
Is it you?
Or the brown dog in yesterday's restaurant?
let the Alsatian of your sleeping green happiness
bite the ankles of my memories
Thursday, September 13, 2012
Orange Juice in the Desert
(A celebration of the 50+ degree heat in Riyadh)
Orange Juice in the Desert
---------------------------------
The sands have not spoken today
Though the winds have been scalding
Let me sink, very slowly, very quietly
While she sips orange juice and waits
That man on his haunches, with the Indigo turban
Watches, watches
He has seen death in the desert
But none like the still water
Of an Oasis
Come forward with your sword, O Taureg
And dispatch me
I may not sink, I may not stay afloat
She will glide away
A white ghost
Leaving a glass of orange juice
On the desert sands
Just beyond my reach
Orange Juice in the Desert
---------------------------------
The sands have not spoken today
Though the winds have been scalding
Let me sink, very slowly, very quietly
While she sips orange juice and waits
That man on his haunches, with the Indigo turban
Watches, watches
He has seen death in the desert
But none like the still water
Of an Oasis
Come forward with your sword, O Taureg
And dispatch me
I may not sink, I may not stay afloat
She will glide away
A white ghost
Leaving a glass of orange juice
On the desert sands
Just beyond my reach
Wednesday, August 01, 2012
The Artist
THE ARTIST
---------------
The flourish, the glance, the raised eyebrow
Eyelids that droop, barely masking icy eyes
Your set raised chin, your arms akimbo
To surrender or
Perhaps to welcome
The burning earth’s release of
Long departed ghosts
The wisterial scent of the good
And the miasma of evil
Who am I?
Just an anonymous Leonardo
Let me sketch
With pencils drenched in sorrow
Throbbing curves, shaky lines
On a canvas of boiling water.
You turn and look with scorn
A torch burns into my soul.
I am nothing.
---------------
The flourish, the glance, the raised eyebrow
Eyelids that droop, barely masking icy eyes
Your set raised chin, your arms akimbo
To surrender or
Perhaps to welcome
The burning earth’s release of
Long departed ghosts
The wisterial scent of the good
And the miasma of evil
Who am I?
Just an anonymous Leonardo
Let me sketch
With pencils drenched in sorrow
Throbbing curves, shaky lines
On a canvas of boiling water.
You turn and look with scorn
A torch burns into my soul.
I am nothing.
Monday, July 30, 2012
Quiet
I can hear no note from your violin, my friend
I see you yearn, for something to emerge
Your frenzied bowing on stoic strings
Your tears, your face mobile with terror
The story must be told, you say
But the violin is quiet, very quiet
And you bow and you bow and you bow
But
I can hear no note from your violin, my friend
The night has dropped on you
Like thousands of dark restless nooses
The grim music of your tormented soul
Swirls around the wood, stabbing the emptiness
Even when your fingers move and you bow
Blue blood smears the strings
Sound struggles and finally – weary - gives up
I can hear no note from your violin, my friend
The Inspire Interview
I was interviewed by Rashmi Shetty on All India Radio, Rainbow FM 101.3 Here is the recording
The Inspire Interview
The Inspire Interview
Monday, June 04, 2012
Thursday, May 31, 2012
Why Consultants Burn Out and what they can do about it.
I’ve recruited dozens of consultants. Fresh
MBAs from the best campuses. Some with limited experience from the world
outside. Many very senior consultants from competitors. Through a process of
trial and error, I manage to identify individuals with just the right set of
ingredients. In a previous blog article (Vault.com), I spoke of the six skills a consultant
needs to possess to be successful.
And yet, I see that many consultants “burn
out” in less than ten years. They may be really intelligent and may possess all
the skills I’ve spoken about. Like meteors, they set the sky on fire and then –
they fizzle out. Why? Here are some reasons:
- They’ve never fully understood that to be on your toes constantly is very draining. The exhilaration of creating and communicating compelling visions cannot be sustained if you don’t have other things to re-energize you. In other words, a specific attempt to attain balance is important. How? Sports, hobbies, reading – all help.
- They don’t understand that sacrifices are necessary. This is not a profession for the placid and timid. You need to travel and be on the road. That means a personal ecosystem that tolerates such constant disruption and knows it is a price one needs to pay to be successful. If you aren’t able to manage that, then burn-out is a given because of the stress of juggling
- They don’t keep up with changes in their professional area. Resumes need to be updated constantly with new skills and certifications. In the business world, trends and fads come and go and you’ve got to keep tabs and ensure you stay relevant at all times. Being a legend in the past in a particular area guarantees nothing today.
- They can’t handle the travel. The relentless grind of the airport experience is really hard for some to handle. Keeping track of flights, airport check-ins, rental cars, new hotels and so on – while being focused on the client’s issues – one requires significant stamina to keep up over an extended period.
- They can’t handle change. Consecutive Engagements that are entirely different in nature, cope and geography, client personnel with different agendas, styles and priorities, different levels of intensity, different team dynamics – the fun can erode and some long for predictability.
- They can’t handle professional pressure. The Consulting Profession is very challenging and works on very short cycles of gratification. Performance measurements include delivery excellence and business development acumen. With that come rising expectations of rapid career progression and fairly stern measurements of success.
And so it’s no surprise that very few
manage to survive the rough and tumble of the Consulting world beyond a few
years. I’ve often heard it said that a single year of consulting experience is
often equivalent to seven years of any other kind of experience. That’s the huge payoff for sure. But being
aware of the stresses and strains of the profession – as described above – can
make all the difference in building a long-term career in this business and
becoming a Partner, the apex of the profession.
Thursday, May 03, 2012
Poems of Akira Yamashita
Poems by Akira
KATSUOJI TEMPLE
Walk with me, my friend
And let us see
If Osaka still has traces
Of the air she breathed
Thirty years ago
I remember that she walked on that noisy street with her friends
To visit Katsuoji Temple
She laughed and caught my eye
The street fell silent for that second
And I froze and died
I ran inside
There was no one except a silent monk
With eyes closed, contemplating time
But someone had left some burning incense
The smoke drifted away from me
Which is why I ask, my friend
If you can walk the streets of Osaka with me
To see if there are traces
Of the air she breathed
Thirty years ago
And let us see
If Osaka still has traces
Of the air she breathed
Thirty years ago
I remember that she walked on that noisy street with her friends
To visit Katsuoji Temple
She laughed and caught my eye
The street fell silent for that second
And I froze and died
I ran inside
There was no one except a silent monk
With eyes closed, contemplating time
But someone had left some burning incense
The smoke drifted away from me
Which is why I ask, my friend
If you can walk the streets of Osaka with me
To see if there are traces
Of the air she breathed
Thirty years ago
The
White Lily
I
placed a white lily, the whitest of them
On
the grave of her memory
And
soon, more sprung up
I
saw the birds sit close by, not touching
I
sat with my koto, some distance away
And
now
I
caress myself
With
the dust
Of
a thousand and one white lilies
Do
not hold my hand
Till
the dust has washed away
And
I no longer remember
------------------------------------------------
YOKAHAMA HARBOUR
You have forgotten
perhaps
The breeze that
drifted in from the Sea
When we sat on a bench at Yokohama Harbour
Speaking in silence
Look, I finally said
That ship, the one there
Do you think it is leaving for Singapore?
Shall we go too?
You did not respond then
The ship stopped, perhaps in hope
You looked away and so did I
For the salt we tasted
Was not of the sea breeze
But of the tears of hopelessness
The ship sighed and moved on
I touched the sleeve of your kimono
Slowly, very slowly, I felt nothing
I watched you become a cold ghost
Becoming mist, not responding
Today, I see in the paper
That the Emperor has called for volunteers
For the war in the Philippines
I have already lost
But I shall go.
KINKAKUJI TEMPLE
I saw you walk
Towards the
Kinkakuji temple
The trees dipped and the sunlight moved slowly
The pebbles froze as your feet touched them
The morning fog stayed on
Perhaps you knew I was watching
You moved your kimono just a little
Saying No.
I wrote a haiku on the silent pebbles
Of Kinkakuji Temple
Blue slivers of sky
A pale face etched in the clouds
A heart breaks quietly
I walked away to Kyoto
Your image in the shrine
In the temple within me
The White Lily
-------------------
Soon time will pass
You know? Like sand
through an hour glass
In the morning, when no one sees
The white lily blooms very slowly
And the Swans hide in shame; their beauty
Is nothing
I play the koto and the Lily listens
The white becomes pink, the blush of knowing
How beautiful she is
But soon the sun climbs down
The air is tired and the koto
It falters
An eagle watches coldly as it soars
Soon it knows, this pulchritude will fade
And it shall feast
On the dreams of a soul in agony
White is white, you thought
The koto reduces to dust
The Lily droops
The petals break away
MITO-SAN
Love – very
important
Information
It is music from my
koto
Kimono soft rustling
noise
I make Ikebana
flower arrangements for Mito-san
She give me silent words and eyes looking down
We give the information to each other
Of the love
No, this is not Kabuki
It is the real information
Of Love
In Osaka
Many years ago.
DESTINY
I
do not care to be told
That this is destiny.
And you must go.
We walked in the streets of Hiroshima that day
And saw nothing,
But you did not cry for the thousands.
The smoke hung close to the ground
Collecting memories of lovers.
I took you to your house
But it was gone.
You did not cry then.
But I did.
For people I had never met.
But now when we must part
You cry and I watch
While you use logic to explain
That this is best.
That the throbbing pain of two
Is more than the torment
Of those who evaporated
In Hiroshima.
I do not care to be told
That this is destiny.
And you must go.
That this is destiny.
And you must go.
We walked in the streets of Hiroshima that day
And saw nothing,
But you did not cry for the thousands.
The smoke hung close to the ground
Collecting memories of lovers.
I took you to your house
But it was gone.
You did not cry then.
But I did.
For people I had never met.
But now when we must part
You cry and I watch
While you use logic to explain
That this is best.
That the throbbing pain of two
Is more than the torment
Of those who evaporated
In Hiroshima.
I do not care to be told
That this is destiny.
And you must go.
Five Ways to help your annual strategy succeed
A recently published article on How Annual Strategies can actually succeed
http://chiefexecutive.net/five-ways-to-help-your-annual-strategy-succeed
http://chiefexecutive.net/five-ways-to-help-your-annual-strategy-succeed
Wednesday, February 29, 2012
My article in CIO Insight
http://www.cioinsight.com/c/a/Expert-Voices/Social-Media-and-the-CIO-Be-the-Gas-Pedal-Not-the-Brake-757321/
Subscribe to:
Posts (Atom)